The Glorious Mysteries
Heinrich Ignaz Franz von Biber’s Rosary Sonatas
A soulful journey into the heart of the Baroque
Also known as the Rosary Sonatas, these three sets of 5 sonatas for violin and continuo (plus a concluding Passacaglia for solo violin) were completed around 1676. Dedicated to the Archbishop Gandolph in Salzburg, these sonatas are as compelling, affecting and moving as they were when they were written almost 350 years ago. Scored for a single violin supported by continuo, Biber employs a different tuning for each sonata. Only the first sonata (the Annunciation) and the final Passacaglia share the standard G-D-A-E tuning. This technique of mistuning the violin, called scordatura, gives a tremendous range of affects and emotions to this music. Retuning brings the violin into different key areas and creates a kaleidoscope of overtones and sonic effects, helping Biber to create specific feelings or affects in the listener.
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The Glorious Mysteries
The Resurrection
The Ascension
The Descent of the Holy Ghost
The Assumption of the Virgin
The Coronation of the Virgin Mary
Performers
Tekla Cunningham, baroque violin
Elisabeth Reed, baroque cello
Henry Lebedinsky, organ and harpsichord